Counter Culture
- Release: 2015-02-03
- Publisher: Lifeway Church Resources
- Price: FREE
- File: PDF, 48 page
- ISBN: 1430032545
Leader guide for the six-session Bible study for students from Dr. David Platt.
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Leader guide for the six-session Bible study for students from Dr. David Platt.
Student book that accompanies the six-session Bible study.
Poverty, Same-Sex Marriage, Racism, Sex Slavery, Immigration, Persecution, Abortion, Orphans, Pornography—how are we supposed to respond to all of this? In this companion piece to Counter Culture, David Platt provides Biblical support and practical action steps to help Christians take a courageous and compassionate stand on some of the most controversial issues of our time, and highlights dozens of ways individuals and churches can get involved at both the local and international level. The stage is set for the God of the universe to do the unthinkable, the unimaginable, the shocking, and the scandalous. And he wants you to be a part of it. It’s time to take a stand for Christ, join the fight against injustice, and counter culture!
A bold reconsideration of the meaning of 1960s San Francisco counterculture
"This book traces the history of rock 'n' roll in Mexico and the rise of the native countercultural movement La Onda (the wave). This story frames the most significant crisis of Mexico's postrevolution period: the student-led protests in 1968 and the government-orchestrated massacre that put an end to the movement".--BOOKJACKET.
Students take to the streets -- Coordinates of a cycle of protest -- On violence -- The unions and the movement -- The Lefts and the students -- Paths and paradoxes of revolutionary action -- Militant mystiques -- Youth cultures -- More nuances -- Conclusion : 1968 and the emergence of a "New Left
Culture and politics in Morocco are an interactive blend of conflict and congruence. John P. Entelis argues that no single form defines Morocco's national identity and identifies four cultural patterns--monarchial, modernist, militarist, and messianic--that compete with each other yet share strong ties to an overriding cultural core of 'Muslim consensus'. This consensus explains much of the country's success in reconciling cultural differences in a relatively nonviolent manner and in creating a pluralistic, open and populist society. Entelis argues that Morocco, at a critical juncture in its postindependence history, may be able to overcome challenges from international pressures and socioeconomic problems because of its cultural harmony. Previously published in 1989 by Westview Press.
While the youth counterculture remains the most evocative and best-remembered symbol of the cultural ferment of the 1960s, the revolution that shook American business during those boom years has gone largely unremarked. In this fascinating and revealing study, Thomas Frank shows how the youthful revolutionaries were joined—and even anticipated —by such unlikely allies as the advertising industry and the men's clothing business. "[Thomas Frank is] perhaps the most provocative young cultural critic of the moment."—Gerald Marzorati, New York Times Book Review "An indispensable survival guide for any modern consumer."—Publishers Weekly, starred review "Frank makes an ironclad case not only that the advertising industry cunningly turned the countercultural rhetoric of revolution into a rallying cry to buy more stuff, but that the process itself actually predated any actual counterculture to exploit."—Geoff Pevere, Toronto Globe and Mail "The Conquest of Cool helps us understand why, throughout the last third of the twentieth century, Americans have increasingly confused gentility with conformity, irony with protest, and an extended middle finger with a populist manifesto. . . . His voice is an exciting addition to the soporific public discourse of the late twentieth century."—T. J. Jackson Lears, In These Times "An invaluable argument for anyone who has ever scoffed at hand-me-down counterculture from the '60s. A spirited and exhaustive analysis of the era's advertising."—Brad Wieners, Wired Magazine "Tom Frank is . . . not only old-fashioned, he's anti-fashion, with a place in his heart for that ultimate social faux pas, leftist politics."—Roger Trilling, Details
The Space Between the Notes examines a series of relationships central to sixties counter-culture: psychedelic coding and rock music, the Rolling Stones and Charles Manson, the Beatles and the `Summers of love', Jimi Hendrix and hallucinogenics, Pink Floyd and space rock. Sheila Whiteley combines musicology and socio-cultural analysis to illuminate this terrain, illustrating her argument with key recordings of the time: Cream's She Walks Like a Bearded Rainbow, Hendrix's Hey Joe, Pink Floyd's Set the Controls For the Heat of the Sun, The Move's I Can Hear the Grass Grow, among others. The appropriation of progressive rock by young urban dance bands in the 1990s make this study of sixties and seventies counter-culture a timely intervention. It will inform students of popular music and culture, and spark off recognition and interest from those that lived through the period as well as a new generation that draw inspiration from its iconography and sensibilities today.
Most histories of the personal computer industry focus on technology or business. John Markoff’s landmark book is about the culture and consciousness behind the first PCs—the culture being counter– and the consciousness expanded, sometimes chemically. It’s a brilliant evocation of Stanford, California, in the 1960s and ’70s, where a group of visionaries set out to turn computers into a means for freeing minds and information. In these pages one encounters Ken Kesey and the phone hacker Cap’n Crunch, est and LSD, The Whole Earth Catalog and the Homebrew Computer Lab. What the Dormouse Said is a poignant, funny, and inspiring book by one of the smartest technology writers around.