The Modern Conductor

The Modern Conductor


  • Release: 2004
  • Publisher: Prentice Hall
  • Price: FREE
  • File: PDF, 252 page
  • ISBN: UOM:39015058248785
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Written in a clear style that speaks directly to the serious conducting student, The Modern Conductor, Seventh Edition, maintains Dr. Elizabeth A.H. Green's time-honored approach to conducting technique while offering new insights into opera conducting, career-building, and score study. Building on the concept of conducting as a time-space activity, co-author Mark Gibson clarifies the pedagogical ideas of the legendary Russian maestro, Nicolai Malko, as first put forth by Dr. Green. The Seventh Edition incorporates into Malko's classic approach a heightened emphasis on the role of the conductor and the non-technical skills that the aspiring conductor must acquire to prepare for a podium career in the twenty-first century. Among the topics included are: The Usefulness of the Baton Expressive Gestures "Zig-Zag" Audition/Rehearsal Checklist The student will attain insights into handling contemporary scores and unconventional notation, as well as instrumental and choral conducting and aspects of advanced musicianship in relation to wind ensemble, orchestra and chorus. Important concepts and terms are highlighted to enable the reader to find them quickly. Exercises and drills are included in the text to reinforce critical concepts and skills.

The Modern Conductor

The Modern Conductor


  • Release: 1992
  • Publisher: Prentice Hall
  • Price: FREE
  • File: PDF, 275 page
  • ISBN: UCAL:B4337909
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Extensively refined and updated, this new edition on conducting posits that conducting is atime-space art. It builds basic book techniques and includes additional band scores excerpts, placed in proximity with the classic repertoire. The text adds new baton timing techniques, and shows the relationships of time, speed, and motion. Key words and principles are highlighted in boldface or italics. This book states a new principle regarding gesture-speed as related to dynamics and phrasing. Drills to train the mind and hands simultaneously are presented. Complete diagrams, all time-beating patterns, and logical classification of expressive gestures are included. Offers manual-technique photo illustrations and a wealth of music examples that show the application of techniques. Features an extensive appendix that includes seating charts, language tables (scores), less common terms, and an outline of musical form to aid in score study. For musicians.

Guide to Score Study for the Wind Band Conductor

Guide to Score Study for the Wind Band Conductor


  • Release: 2000-03-01
  • Publisher: Meredith Music
  • Price: FREE
  • File: PDF, 128 page
  • ISBN: 9781476850672
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(Meredith Music Resource). This outstanding "one-of-a-kind" text was designed to assist the conductor in achieving a personal interpretation of music.

The Score  the Orchestra  and the Conductor

The Score the Orchestra and the Conductor


  • Release: 2009-08-26
  • Publisher: Oxford University Press
  • Price: FREE
  • File: PDF, 512 page
  • ISBN: 0199716900
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Known internationally for his work as a teacher of conducting, Gustav Meier's influence in the field cannot be overstated. In The Score, the Orchestra and the Conductor, Meier demystifies the conductor's craft with explanations and illustrations of what the conductor must know to attain podium success. He provides useful information from the rudimentary to the sophisticated, and offers specific and readily applicable advice for technical and musical matters essential to the conductor's first rehearsal with the orchestra. This book details many topics that otherwise are unavailable to the aspiring and established conductor, including the use of the common denominator, the "The ZIG-ZAG method", a multiple, cross-indexed glossary of orchestral instruments in four languages, an illustrated description of string harmonics, and a comprehensive listing of voice categories, their overlaps, dynamic ranges and repertory. The Score, the Orchestra and the Conductor is an indispensable addition to the library of every conductor and conducting student.

A Dictionary for the Modern Conductor

A Dictionary for the Modern Conductor


  • Release: 2015-08-20
  • Publisher: Scarecrow Press
  • Price: FREE
  • File: PDF, 432 page
  • ISBN: 9780810884014
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Titles in Dictionaries for the Modern Musician: A Scarecrow Press Music Series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique, major works to key figures. A must-have for any musician’s personal library! Filling a vital need in the rapidly changing and complex field of conducting, A Dictionary for the Modern Conductor is a concise one-volume reference tool that brings together for the first time information covering a broad array of topics essential for today’s conductor to know. Author and conductor Emily Freeman Brown offers easy-to-read definitions of key musical terms, translated foreign terms, examples of usage from orchestral music and practical vocabulary in multiple languages. A Dictionary for the Modern Conductor includes biographies of major conductors and other individual important to the world of modern conducting, emphasizing throughout their contributions to the progress of the conducting professional; critical information on major orchestras, significant ensembles, key institutions and organizations, with a focus on the ways in which they preserve and advance today’s musical life; and practical entries covering baton and rehearsal techniques, bowing terms, information about instruments, voice types and much more. In a series of appendixes, A Dictionary for the Modern Conductor also covers such topics as orchestral works that changed the art and practice of conducting, a short historiography of conducting, a comprehensive bibliography, a look at conducting recitative, and a list of pitches, interval names, rhythmic terms, orchestral and p

The Conductor

The Conductor


  • Release: 2012-07-17
  • Publisher: Head of Zeus
  • Price: FREE
  • File: PDF, 304 page
  • ISBN: 9781908800824
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A moving story of music, survival, friendship and love in wartime Leningrad.

Wisdom  Wit  and Will

Wisdom Wit and Will


  • Release: 2009
  • Publisher: GIA Publications
  • Price: FREE
  • File: PDF, 470 page
  • ISBN: 1579997600
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Includes biographies of selected American women choral conductors.

Maestros and Their Music

Maestros and Their Music


  • Release: 2018-11-06
  • Publisher: Vintage
  • Price: FREE
  • File: PDF, 272 page
  • ISBN: 9781101973608
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An exuberant, uniquely accessible, beautifully illustrated look inside the enigmatic art and craft of conducting, from a celebrated conductor whose international career has spanned half a century. John Mauceri brings a lifetime of experience to bear in an unprecedented, hugely informative, consistently entertaining exploration of his profession, rich with anecdotes from decades of working alongside the greatest names of the music world. With candor and humor, Mauceri makes clear that conducting is itself a composition: of legacy and tradition, techniques handed down from master to apprentice--and more than a trace of ineffable magic. He reveals how conductors approach a piece of music (a calculated combination of personal interpretation, imagination, and insight into the composer's intent); what it takes to communicate solely through gesture, with sometimes hundreds of performers at once; and the occasionally glamorous, often challenging life of the itinerant maestro. Mauceri, who worked closely with Leonard Bernstein for eighteen years, studied with Leopold Stokowski, and was on the faculty of Yale University for fifteen years, is the perfect guide to the allure and theater, passion and drudgery, rivalries and relationships of the conducting life.

The Compleat Conductor

The Compleat Conductor


  • Release: 1998-12-10
  • Publisher: Oxford University Press
  • Price: FREE
  • File: PDF, 592 page
  • ISBN: 019984058X
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A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive sty