The Pop  Rock  and Soul Reader

The Pop Rock and Soul Reader


  • Release: 2005
  • Publisher: New York : Oxford University Press
  • Price: FREE
  • File: PDF, 524 page
  • ISBN: 0195125703
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Tracing the diverse streams of American popular music from the 1920s to the present, The Pop, Rock, and Soul Reader: Histories and Debates addresses such questions as: How did the musicians who made the music explain it? Who listened to popular music and why? What was the major impression madeby it on society at large? Why do some types of popular music still matter today?In this richly textured and chronologically organized anthology, well-known scholar David Brackett brings together more than 100 readings from a diverse range of sources and by writers who have played an integral part in the development of popular music criticism. He includes articles frommainstream and specialized magazines, scholarly journals, and newspapers, as well as interviews and autobiographies of musicians and other music industry insiders. Representing a wide variety of time periods, styles, and genres--and including groundbreaking criticism on disco, hip-hop, rap, andtechno--the selections introduce students to important social and cultural issues raised by the study of popular music. Topics covered include the role of race, class conflict, gender roles, regional differences in the reception of popular music, and the relative value of artistry versus commerce.Extensive editorial introductions and headnotes supply context for the selections, provide links between different eras and genres, clarify the issues raised by the documents, and explain their historical significance. An ideal text for courses in popular music history, The Pop, Rock, and SoulReader: Histories and Debates will also be of interest in courses on American music, American studies, media studies, history, and sociology.

The Pop  Rock  and Soul Reader

The Pop Rock and Soul Reader


  • Release: 2009
  • Publisher: Oxford University Press, USA
  • Price: FREE
  • File: PDF, 606 page
  • ISBN: UOM:39015079164318
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The Pop, Rock, and Soul Reader is a collection of readings that traces the evolution of American popular music from the 1920s to the present. Pulling together articles, excerpts, and critical commentary from scholarly journals, popular magazines, newspapers, and biographies, this volumeintroduces students to important social and cultural issues raised by the study of popular music. Chapter introductions and headnotes supply contextual background for the documents, provide links among different eras and genres, explain the issues raised by the documents, and clarify the culturaland historical importance of the selections.

The Pop  Rock  and Soul Reader

The Pop Rock and Soul Reader


  • Release: 2013
  • Publisher: Oxford University Press, USA
  • Price: FREE
  • File: PDF, 587 page
  • ISBN: 0199811709
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Featuring over 100 readings from a wide range of sources and writers, The Pop, Rock, and Soul Reader, Third Edition, provides a rich and engaging introduction to the development of American popular music and the important social and cultural issues raised by its study. The third edition brings together a vast array of selections from sources that include mainstream and specialized magazines, newspapers, scholarly journals, interviews, and autobiographies of musicians and other music industry insiders, plus ten new readings on timely topics such as: * The emerging influence of digital technology like autotune and filesharing on popular music * The integration of popular music and reality TV through shows like American Idol * Lady Gaga's meteoric rise to fame and its inextricable link to new media * A retrospective look at and reevaluation of Michael Jackson's long career * The global impact of legendary artist Bob Marley and reggae Visit the companion website at www.oup.com/us/brackett for additional study resources.

The Pop  Rock  and Soul Reader

The Pop Rock and Soul Reader


  • Release: 2011
  • Publisher:
  • Price: FREE
  • File: PDF, page
  • ISBN: OCLC:1011724436
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"In this second edition, The Pop, Rock, and Soul Reader: Histories and Debates traces the evolution of diverse streams of American popular music from the 1920s to the present. Scholar David Brackett brings together over 100 readings from a wide range of sources and by writers who have played an integral part in the development of popular music criticism."--BOOK JACKET.

Encyclopedia of Pop  Rock and Soul

Encyclopedia of Pop Rock and Soul


  • Release: 1974
  • Publisher: Saint Martin's Griffin
  • Price: FREE
  • File: PDF, 609 page
  • ISBN: UCAL:B3563937
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Includes 150 photos, as well as three "special articles" and bibliography.

Categorizing Sound

Categorizing Sound


  • Release: 2016-07-19
  • Publisher: Univ of California Press
  • Price: FREE
  • File: PDF, 376 page
  • ISBN: 9780520965317
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Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and old-time music of the 1920s through country and R&B of the 1980s, David Brackett explores the processes by which genres are produced. Using in-depth archival research and sophisticated theorizing about how musical categories are defined, Brackett has produced a markedly original work.

Pop Rock Music

Pop Rock Music


  • Release: 2013-07-10
  • Publisher: John Wiley & Sons
  • Price: FREE
  • File: PDF, 224 page
  • ISBN: 9780745670904
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Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.

The Rock History Reader

The Rock History Reader


  • Release: 2013
  • Publisher: Routledge
  • Price: FREE
  • File: PDF, 396 page
  • ISBN: 9780415892124
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The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context. This second edition includes new readings on the early years of rhythm & blues and rock 'n' roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines.

She Bop II

She Bop II


  • Release: 2003-10-16
  • Publisher: A&C Black
  • Price: FREE
  • File: PDF, 544 page
  • ISBN: 9780826435293
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Popular music grew out of ragtime, vaudeville and the blues to become global mass entertainment. Women like Ma Rainey and Bessie Smith were the original pop divas, yet eighty years after they blazed a trail, have their successors achieved the recognition and affirmation they deserve? Or has the only way to success been to slot into saleable images of the cute baby or sexy chanteuse? This is the story of women as creators and innovators, aiming to provide a history of women in rock, pop and soul - on stage, on camera and working behind the scenes in a male-dominated industry. This edition contains an extra chapter and interviews covering trends such as Girlpower.