The Study of Orchestration

The Study of Orchestration


  • Release: 2002
  • Publisher: W. W. Norton
  • Price: FREE
  • File: PDF, 839 page
  • ISBN: 039397572X
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Through two highly successful editions, The Study of Orchestration has set the standard for orchestration texts, providing the most comprehensive treatment of both orchestration and instrumentation. The Third Edition retains the elements that have made the book a classic while embracing new technology and responding to the needs of today's students and teachers.

The Study of Orchestration

The Study of Orchestration


  • Release: 1989
  • Publisher: W. W. Norton
  • Price: FREE
  • File: PDF, 640 page
  • ISBN: 0393958086
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The workbook reviews and reinforces the techniques discussed in each chapter of the text. It includes graded self-tests about each choir of the orchestra, as well as worksheets on special topics. The new edition features a broader array of "Listen and Score" exercises as well as opportunities for students to practice reducing orchestral scores to piano scores.

Workbook

Workbook


  • Release: 2016-06-02
  • Publisher:
  • Price: FREE
  • File: PDF, 256 page
  • ISBN: 0393283178
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The Study of Orchestration Workbook features a wide variety of exercises--many new to this edition--for any orchestration class and students of all skill levels. Test Yourself activities test factual information presented in the text, Worksheets offer opportunities to practice orchestrating short passages, and Listen and Score activities challenge students to identify and notate instrumentation aurally.

Principles of Orchestration with Musical Examples Drawn from his Own Works

Principles of Orchestration with Musical Examples Drawn from his Own Works


  • Release: 2015-09-13
  • Publisher: Library of Alexandria
  • Price: FREE
  • File: PDF, page
  • ISBN: 9781465604118
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In his "Memoirs of my musical life" the following passage occurs: "I had planned to devote all my energies to the compilation of a full treatise on orchestration. To this end I made several rough copies, jotting down explanatory notes detailing the technique of different instruments. What I intended to present to the world on this subject, was to include everything. The writing of this treatise, or, to be more exact, the sketch for it took up most of my time in the years 1873 and 1874. After reading the works of Tyndall and Helmholtz, I framed an introduction to my work, in which I endeavoured to expound the laws of acoustics as applied to the principles governing the construction of musical instruments. My manual was to begin with a detailed list of instruments, classified in groups and tabulated, including a description of the various systems in use at the present day. I had not yet thought of the second part of the book which was to be devoted to instruments in combination. But I soon realised that I had gone too far. With wind instruments in particular, the different systems were innumerable, and each manufacturer favoured his own pet theory. By the addition of a certain key the maker endowed his instrument with the possibility of a new trill, and made some difficult passages more playable than on an instrument of another kind. "There was no end to such complications. In the brass, I found instruments with three, four, and five valves, the mechanism varying according to the make. Obviously, I could not hope to cover so large a field; besides, of what value would such a treatise be to the student? Such a mass of detailed description of the various systems, their advantages and drawbacks, could not but fail to confuse the reader only too eager to learn. Naturally he would wish to know what instrument to employ, the extent of its capabilities etc., and getting no satisfactory information he would throw my massive work aside. For these reasons my interest in the boo

Principles of Orchestration

Principles of Orchestration


  • Release: 1964-06-01
  • Publisher: Courier Corporation
  • Price: FREE
  • File: PDF, 489 page
  • ISBN: 0486212661
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In this affordable paperback reprint of an influential work of music theory, Rimsky-Korsakov, the great classical orchestrator, provides fundamentals of tonal resonance, progression of parts, voice and orchestra, tutti effects, and much more. This major document includes 330 pages of musical excerpts and extracts from Rimsky-Korsakov's 1891 draft and final versions of his Preface.

The Study of Orchestration

The Study of Orchestration


  • Release: 2002-08
  • Publisher:
  • Price: FREE
  • File: PDF, 839 page
  • ISBN: 0393948234
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The workbook reviews and reinforces the techniques discussed in each chapter of the text. It includes graded self-tests about each choir of the orchestra, as well as worksheets on special topics. The new edition features a broader array of "Listen and Score" exercises as well as opportunities for students to practice reducing orchestral scores to piano scores.

The History of Orchestration

The History of Orchestration


  • Release: 1925
  • Publisher: Courier Corporation
  • Price: FREE
  • File: PDF, 348 page
  • ISBN: 9780486212586
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This well-known study by an eminent musicologist constitutes one of the best mid-level explorations of the nature and function of the orchestra. Tracing the beginnings of modern music from the seventeenth through early twentieth centuries, the survey presents forty-four musical excerpts and thirteen sketches of instruments, plus appendices and quotations related to conducting methods. Featured composers include Purcell, Scarlatti, Bach, Handel, Gluck, Haydn, Mozart, Beethoven, Schubert, Berlioz, Wagner, Debussy, Elgar, and many others. Author Adam Carse examines the evolution of individual musical instruments along with varying performance techniques and concepts of instrumental color. He further explores the recognition of major instrumental groups and their musical distinctions, decisions regarding volume and balance of tone, the influence of musical subject matter upon orchestration, and many similar topics. This volume represents a splendid resource for music students, enthusiasts of musical history and classical music, and music lovers of all ages.

Instrumentation and Orchestration

Instrumentation and Orchestration


  • Release: 1997
  • Publisher: Schirmer
  • Price: FREE
  • File: PDF, 508 page
  • ISBN: UOM:39015045648246
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The essentials of accomplished orchestration - the combining of diverse instrumental qualities in ensemble performance - are covered in the next two chapters. Here, step by step, Blatter proceeds from the basics of musical lines to scoring for various instrumental groupings. Chapters ten and eleven explain the techniques of transcription and arrangement while chapter twelve discusses the performance dynamics of chamber groups and larger ensembles. The appendixes provide quick access to essential technical information: transposition of instruments, electronic sound modification, MIDI, the harmonic series, and fingerings.